What's New in Adobe After Effect CS5
Native 64-bit OS support, Roto brush, Mocha for After Effects v2 and more...
After Effects CS5 delivers more of the creative control you crave, while making it faster to work on high-resolution projects. Native 64-bit support means you can tap all the RAM on your system to work more efficiently with HD, 2K, and 4K projects. The new Roto Brush tool delivers rotoscoping results in a fraction of the time. Plus, dozens of user-requested features make everyday tasks easier.
Native 64-bit OS Support - Work fluidly on high-resolution projects — even at 32-bit-per-channel color inside HD, 2K, and 4K compositions. Use all of your system's RAM.
Roto Brush - Isolate foreground elements from backgrounds in a fraction of the time it would otherwise take using this revolutionary new tool.
AVC-Intra and Enhanced RED Support - Work natively with tapeless footage from the newest high-quality Panasonic cameras thanks to AVC-Intra 50 and AVC-Intra 100 support. Take advantage of improved support for RED R3D formats, and gain additional controls for working with raw footage.
Mocha for After Effect v2 - Apply motion tracking to hand-drawn masks and import variable-width mask feathers. The powerful mocha shape plug-in is also included.
Dozens of Enhancements - Benefit from dozens of customer-requested refinements that yield big productivity gains — such as the ability to align layers to comps.
Auto-Keyframe Mode - Animate quickly by setting starting keyframes automatically.
Color Finesse - Enjoy an enhanced color correction workflow with the new features, finer control over hue and saturation, and ability to export settings as color lookup tables (LUTs) in Color Finesse LE 3.
Color LUT Support - Get consistent color in your workflow by using industry-standard 3DL and CUBE lookup tables.
Digieffect FreeForm - Turn flat objects into virtually any 3D shape using this popular 3D mesh warp plug-in.
Refine Matte Effect - Apply intelligent edge tracking, dechattering, and motion blurring capabilities to any layer with a problematic alpha channel, such as keyed footage.
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